Ann Dijkstra, photographs of part of collection of bags, 2016.
Typographic experiment you see on the bag of the S.M.A.K museum in Gent. The number 5 is constructed from horizontal printed logo signs. Also the bag Futura is only stamped with letters in the sans serif font named ‘Futura.’ At the bag of Artbook you see the logo printed vertical on both sides, written in mirror writing, when you look through the bag. The graphic designer made use of the transparency by the choice of his typography.
A year ago I saw the work Insolence (2007) from Sylvie Fleury in Palazzo Reale in Milan. She made an installation of high end fashion store bags. The bags are all simple in design, with logo and made of folded cardboard. These bags are not simply readymades. Fleury views them as abstract, because the contents of the bags are hidden from view and thus, their seduction is completely superficial. The transparency of a bag in this view is something that withdraws the aura of a product. You can see the goods immediately. It makes the goods open for public view and breaks with the mystery that high end stores want to maintain. The seduction is not even superficial, but is totally gone away by transparency. (unless you see the ‘open’ bag as a window and want to buy the goods just because you see them represented in the bag).
More about typography? See also Landmarks (typography in the woods)
Thans for the information about bags and typography. The pictures are beautiful and inspiring.
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Thanks for your nice response! It was great to see your work in Milan, during the Design Week.
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Thanks for the information about bags and typography, and of course the beautiful and inspiring examples.
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Thank you Simon for your nice reaction on my article!
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